CREDITS

Waffle’s After School Club 2025.

2x Arri Alexa Mini 1x Arri Alexa SXT Plus

2x Panavision 19-90 PCZ Primo Zoom

1x Panavision 24-275 SLZ11 Primo Zoom

1x Set Ultra Primes

Director | Tim Hopewell | Production Company | Darrall Macqueen | For BBC/CBeebies

Sole DOP for all 10 Episodes

The Disruptors 2020. Mockumentary.

Arri Amira with Cooke S4 Lenses

Directors | Isabel Steuble-Johnson & Amy H C Wilson | Production Company | Homecoming Films

Rehab 2010. Horror.

As Camera Operator.

Director | Sean J. Vincent | Production Company | Recoil Films

Pixie Lott x Cancer Research UK 2024. Commercial

Supported by Battersea Power Station, for Race for Life

Production Companies | Feed Films & Shook

Alexa Mini LF with Arri Signature Prime Lenses

Director & Producer | Isabel Steuble-Johnson

LIT 2023. Music Video.

Artist | Tee The Singer

Alexa Mini with Kowa Anamorphic Lenses.

Director | Isabel Steuble-Johnson | Producer | Priscilla Babin

A Memory Owed 2023. WWII War/Drama.

Sony Venice with Cooke Pancro and Zeiss Superspeeds (1940’s scenes)

Sony Venice with Cooke Anamorphic Lenses (Current day scenes)

Director | Martin Hemingway – Moseley | Producer | Zoe Lewin

Production Company | FILMOON

Girls will be Girls 2023. Period Comedy.

2 Camera shoot. Sony Venice, both sharing Cooke Anamorphic Lenses.

Director | Isabel Steuble-Johnson | Production Company | Homecoming Films | Currently in the festival Circuit

Cursive 2023. Drama.

Sony Venice with Cooke Panchro Lenses

Director | Isabel Steuble-Johnson | Production Company | Homecoming Films | Currently in the festival Circuit

Bump in the Night 2022

Sony Venice with Kowa Vintage FF Lenses

Director | Isabel Steuble-Johnson | Production Company | Homecoming Films | Currently in the festival Circuit

Finalist - Best Cinematography Los Angeles Cinematography Awards 2023

Vile 2022

Sony Venice with Cooke Panchro Lenses

Director | Isabel Steuble-Johnson | Production Company | Homecoming Films

We Love Work 2021

Sony Venice with Super Baltar Lenses

Director | Isabel Steuble-Johnson | Production Company | Homecoming Films | Currently in the festival Circuit

Today is a Good Day 2018

Red Dragon with Zeiss Superspeed Lenses

Director | Natalie A. Evans | Producer | Jessica Moran | Line Producer | Yasmin Stewart

Winner – Best Cinematography at European Cinematography Awards 2018

Knock at the Door 2018

Alexa Mini with Scorpio Anamorphic Lenses

Director | Michael S. Constable | Producers | Michael S. Constable & Rowena Wallace

Nominated - Best Cinematography Fisheye Film Festival 2018

Nominated - Best Cinematography Around International Film Festival 2018

National Anthem 2017

Alexa Mini with K35 Lenses

Director | Hamza Jeetooa | Producer | Isabel Steuble-Johnson

Runner-Up Best Short Film Edinburgh Indie Film Festival 2017

Graduation 2014

Red Epic with Red Pro Prime Lenses

Director | Tom Paul Martin | Producer | Isabel Steuble-Johnson

Pawn & Rook 2011

Shot on 16mm | Arriflex SR3 with Zeiss Superspeeds

Director | Alexander Nally

Spec Car Commercial.

Directors | Isobel Drane & Kieran Lowley - Red Robin Films

Prisoners. Thriller.

Alexa 35 with Xtal Xpress Anamorphic Lenses.

Director | Isabel Steuble-Johnson | Writer | Mac Montero | Production Company | Homecoming Films

Finalist - Best Cinematography. Los Angeles Cinematography Awards 2023. Bump in the Night.

Winner - Best Cinematography. European Cinematography Awards 2018. Today is a Good Day.

Nominated - Best Cinematography. Around International Film Festival 2018. Knock at the Door.

Nominated - Best Cinematography. Fisheye Film Festival 2018. Knock at the Door.

- 13 Years as Clapper Loader in Film & TV

Credits include; Rogue One: A Star Wars Story, Netflix’s Persuasion, The Diplomat & HBO’s House of the Dragon

- DOP Shadowee to Stephen Goldblatt on ‘Red White & Royal Blue’ 2022

- Friend of the ACO

- Member of the Guild of British Camera Technicians

- Completed GBCT Steadicam Workshop 2017

- Graduated Runner Up Best Cinematographer Central Film School 2011

- Bases in London, Manchester & Hong Kong

References available on request.

Amy is a smart,  focussed, planner who showed superb creative sensibilities during the start-up of this new series.  On set, Amy delivered beautiful, ambitious work, adapting to the tight schedule requirements necessitated by a cast of very young children, animals and stunt performers.   Amy was a pleasure to have on our crew, as were her team, who she leads with calm authenticity and positive inclusion. 

- Maddy Darrall | EP Darrall Macqueen ‘Waffle’s After School Club’ for BBC

 “Amy has a very focused and professional attitude when it comes to her work, consistently aiming to achieve 110% on every shot of every scene, an attitude that is well balanced with her calm nature and natural ability to collaborate. Amy puts great effort into understanding the story and to empathise with the characters, which in turn influences her decisions on lighting and composition.

I wholeheartedly recommend Amy as a DOP for your next production, and I look forward to collaborating with her again as soon as the chance to do so arises.”

“The most authentic depiction of a crew on a raid that has been put on film” by a Bomber Command historian, speaking of A Memory Owed.

 - Martin Hemingway-Moseley | Director & Producer ‘A Memory Owed’

First and foremost, Amy is an incredible Cinematographer. Her vision for each project is astounding and she has clearly developed her own style and aesthetic, whilst taking inspiration from some of the most acclaimed moments in cinema. Aesthetic aside, Amy knows how to build a rapport with her crew and lead her team through long days and complex requirements in all sorts of peculiar locations! On practical and personal level, I could not recommend Amy highly enough, she’s a joy to have on set and her output speaks for itself.

- Zoe Lewin | Producer ‘A Memory Owed’

“I have thoroughly enjoyed my time working with Amy, who is honest, dependable, and incredibly hardworking. Beyond that, Amy’s creativity doesn’t only produce beautiful images and stories, but also applies to any problem solving needed on a day to day basis to complete the schedule whilst remaining production friendly.

Along with her undeniable talent, Amy has always been an absolute joy to work with. She is an amazing story teller, and always manages to lead her team through though schedules whilst fostering a positive and inclusive environment on set.

With much anticipation, I look forward to Amy’s future projects and success.”

- Filiz-Theres Erel | Line Producer

“Amy is an incredibly talented individual who is easy to work with and has a knack for solving problems.

Amy's talent is evident in the quality of work she produces. She is able to tell large sweeping stories with huge budget limitations and is constantly looking for a creative solutions. She works with crews that share this attitude and working on set with Amy and her team is always a joy. Amy's work is always of the highest quality, and she consistently wraps the day on time.

Amy is a great team player and always willing to lend a helping hand. She is very easy to communicate with. One of Amy's greatest strengths (in addition to her amazing cinematic eye) is her problem-solving skills. She has a natural ability to identify issues and come up with creative solutions. Her problem-solving skills have been instrumental in the success of most of the films we created together. For example she stepped in as B Camera Operator for the last short film we created together and that meant we could shoot a very ambitions, eight-page project in one day.

She is an extremely talented Director of Photography, a generous collaborator and creative filmmaker. She is an exceptional individual who is sure to make a positive impact on any project she takes on.”

- Isabel Steuble-Johnson | Director & Producer